FILOMENA SERRA
[email protected]
Filomena Serra, she graduated in History (FLUL) and obtained her PhD at FCSH/NOVA, in Contemporary Art History. In the past, she has many other artistic studies, such as SNBA and AR.CO courses. At FCSH, she is currently guest lecturer in in the PhD and Post-Graduation Courses.
As an Art History Institute research member, she published several books and articles about Portuguese Modernism, devoting her attention to the study of Orpheu and Almada Negreiros, as well as the Ballets Russes’s reception in Lisbon, publishing, for example, "Almada Negreiros, a dança e os Ballets Russes" (Literatura e Sociedade, São Paulo, Nº. 17, 2013) and in the Orpheu 1915 commemorating volume (ed. by Steffen Dix, Tinta-da-China, Lisboa, 2015). Actually she is interested in the authoritarian “New State” régime, namely the role of propaganda photography. She is also a member of Contemporary Art Studies (CASt) and of the Photography and Film Studies (PFSt) at the Institute of Art History, FCSH/NOVA.
Recently she was the co-curator of a contemporary art exhibition in LIsbon, "(Co)Habitar", Latin America House and UCCLA.
Presently she is the PI of the FCT Project Printed Photography. Image and Propaganda in Portugal (1934-1974), PTDC/CPC-HAT/4533/2014.
Research interests: Modernism; Photography and Propaganda; Portraiture and Landscape
Webpage: http://fcsh-unl.academia.edu/FilomenaSerra
[email protected]
Filomena Serra, she graduated in History (FLUL) and obtained her PhD at FCSH/NOVA, in Contemporary Art History. In the past, she has many other artistic studies, such as SNBA and AR.CO courses. At FCSH, she is currently guest lecturer in in the PhD and Post-Graduation Courses.
As an Art History Institute research member, she published several books and articles about Portuguese Modernism, devoting her attention to the study of Orpheu and Almada Negreiros, as well as the Ballets Russes’s reception in Lisbon, publishing, for example, "Almada Negreiros, a dança e os Ballets Russes" (Literatura e Sociedade, São Paulo, Nº. 17, 2013) and in the Orpheu 1915 commemorating volume (ed. by Steffen Dix, Tinta-da-China, Lisboa, 2015). Actually she is interested in the authoritarian “New State” régime, namely the role of propaganda photography. She is also a member of Contemporary Art Studies (CASt) and of the Photography and Film Studies (PFSt) at the Institute of Art History, FCSH/NOVA.
Recently she was the co-curator of a contemporary art exhibition in LIsbon, "(Co)Habitar", Latin America House and UCCLA.
Presently she is the PI of the FCT Project Printed Photography. Image and Propaganda in Portugal (1934-1974), PTDC/CPC-HAT/4533/2014.
Research interests: Modernism; Photography and Propaganda; Portraiture and Landscape
Webpage: http://fcsh-unl.academia.edu/FilomenaSerra